Something pissed me off today. You get a poem about it.
the value of daughters
So you would write a story
for me to care about.
I will tell you how.
Draw a man. Use ink. Use words if you have them. Shape him out of clay.
Give him a name, so I may remember him. Tell me he is strong.
Give him a child. Make it a daughter
so I know he is a good man. A man who would stay for a daughter
who would teach and love a daughter
even without a son to bind him.
And keep the daughter young. Old enough to smile for the man you created
(for you created a good man)
but years from learning of opinions
or that she could have one, if it won't mess your story
the one I care about.
And give the daughter pretty curls
and tell me she has her mother's eyes
like all good girls do.
Now. Sharpen your blade. The one in your mind
where you keep your story.
Watch reflections in its steel until you see
the daughter of the man you created
for me to care about
then swing fast. Draw a knife, a crowbar,
a bullet to send through pretty curls.
A car with broken lines.
Or create wolves to tear her
or hands to squeeze her throat
or send her piece by piece in boxes to her father
blood soaking down your paper.
Rape her if you must.
But do it all
between panel, chapter, line
behind the easel.
Turn off the camera
so I do not hear the screams
so I do not mistake a daughter
for something that might have become a human being.
Does he cry, the man you created? He should, if you did your work carefully.
(if you created a good man)
Catch his tears in resin
or ink or words or clay
and string them up around him, fancy ornaments like something interesting
for me to care about.
When you begin your story, I will see them
and turn the pages.
And do not wonder for the daughters.
They hit the ground no harder than their sisters
trampled into dirt or sold for pieces
or left behind before their mother's milk has dried
or drowned or starved or oil burning down their backs
names listed at no grave site.
Those daughters drawn in blood and bone
not ink not words not in a father's tears
unless that father is a good man.
the value of daughters
So you would write a story
for me to care about.
I will tell you how.
Draw a man. Use ink. Use words if you have them. Shape him out of clay.
Give him a name, so I may remember him. Tell me he is strong.
Give him a child. Make it a daughter
so I know he is a good man. A man who would stay for a daughter
who would teach and love a daughter
even without a son to bind him.
And keep the daughter young. Old enough to smile for the man you created
(for you created a good man)
but years from learning of opinions
or that she could have one, if it won't mess your story
the one I care about.
And give the daughter pretty curls
and tell me she has her mother's eyes
like all good girls do.
Now. Sharpen your blade. The one in your mind
where you keep your story.
Watch reflections in its steel until you see
the daughter of the man you created
for me to care about
then swing fast. Draw a knife, a crowbar,
a bullet to send through pretty curls.
A car with broken lines.
Or create wolves to tear her
or hands to squeeze her throat
or send her piece by piece in boxes to her father
blood soaking down your paper.
Rape her if you must.
But do it all
between panel, chapter, line
behind the easel.
Turn off the camera
so I do not hear the screams
so I do not mistake a daughter
for something that might have become a human being.
Does he cry, the man you created? He should, if you did your work carefully.
(if you created a good man)
Catch his tears in resin
or ink or words or clay
and string them up around him, fancy ornaments like something interesting
for me to care about.
When you begin your story, I will see them
and turn the pages.
And do not wonder for the daughters.
They hit the ground no harder than their sisters
trampled into dirt or sold for pieces
or left behind before their mother's milk has dried
or drowned or starved or oil burning down their backs
names listed at no grave site.
Those daughters drawn in blood and bone
not ink not words not in a father's tears
unless that father is a good man.
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I'm so sick of this story.
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I found an angry picture for you today.
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or ink or words or clay
and string them up around him, fancy ornaments like something interesting
for me to care about.
This creates such a vivid mental image for me. The rest of it, I am trying to block the mental images, because they are just too much, it's all I can do to read the words and not start yelling. That image though. It feels so angry, it's become emotionally detached.
I'm sorry, that's not really very coherent. But this poem is sticking in my head.
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That is an excellent thing to tell someone; it means it *works*.
It feels so angry, it's become emotionally detached.
Yeah. *sighs* Sort of the theme for the whole poem... I'm not sorry exactly that it hurt you, because I sharpened it as best I could, but I wish I never had reason to write it.
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I don't know if you heard, but the original plan was to kill Mia as well. Editorial prevented them.
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The rumour I heard was opposite: Robinson nixed editorial's plan to kill Mia. Either way, I am left making flaily hand gestures.
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string them up around him, fancy ornaments like something interesting
for me to care about is just perfect--all of it is, really, it captures so well the sense of total betrayal at learning a character with potential that I was stupid enough to care about on her own terms is really just a bit of character development for the character that really matters.
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Plus anyway, I am tired of seeing the teeny daughter killed every fucking where to give Our Hero some (cheap) tragic backstory. Usually plus the wife, but. Y'know. This sort of thing works better with sharper focus.
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...Please don't let it be Lian.
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...Hey, you know what I realized today? One of my guilty snacks would probably be excellent Earthling food, being soft-cheese filled bagels from the Proper Montreal Jewish Bagels None Of That Bun With A Hole In It Crap store.
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I was really really angry at what happened, despite not following the relevant books very closely. I am fed up with the whole trope; like, I can't even watch the Mentalist very comfortably.
This became somewhere to store the anger, to keep it sharp for me if I need it, though I'm still having trouble right now letting it go.
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Very powerful words.
(I am just tired of the grim and gritty event-driven comics world. And I honestly think they've collectively forgotten how to write.)
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But you've said it beautifully, and powerfully.
(I'm not much of a DCU reader; I'd only vaguely heard of this character before the outcry. But the sad thing is, the trope still applies. I too am sick and tired of it.)
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...Even now, I don't think I've stopped being angry.
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And I'm totally furious that NOTHING HAS CHANGED.
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But you, dear poet. You I like.
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It makes me so damn angry that this is still ongoing. That this hasn't quit being a thing yet.
(And how has it been five years since we lost Lian so stupidly? Still angry about her, too.)
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